Calendar of Music Events
Estonian Music Days
Una Corda:
Liis Viira (harp)
Kristi Mühling (Estonian kannel)
Ene Nael (harpsichord)
PROGRAMME
Lauri Jõeleht (b. 1974). „Cantus Angelorum” / “The Song of the Angels“ for harp, Estonian kannel and harpsichord (2014)
Helena Tulve (b. 1972). „Every Spark Is Numbered II. Behind the Veil“ for harp, Estonian kannel and harpsichord (2015)
Liis Viira (b. 1983). “Stella Maris” for Estonian kannel (2012)
Kristel Kolkanen (b. 1998, Young Composer 2015 winner). “Magic Forest” for harp, Estonian kannel and harpsichord (2016, premiere)
René Eespere (b. 1953). “Tres sorores” / “Three Sisters” for harp, Estonian kannel and harpsichord (2016)
Live compositions
What kind of footprint is left behind by a human versus an angel? Could music be the footprint of an angel – purer than a human’s ecological footprint? Could music be the footprint of a human as well or is music as invisible footprints only the realm of the angels? Inevitably there is a little bit of angel in every person since we all experience music – some of us hear and listen to music; some of us follow the angel’s footprints by making music using their fingers, mouths, and feet; some of us even try to save the angel’s footprints on a piece of staff paper or computer hard drive. In the Una Corda programme, the angels dance on many strings and their footprints vanish into the air.
Ticket: freewill donation
Liis Viira (harp)
Kristi Mühling (Estonian kannel)
Ene Nael (harpsichord)
PROGRAMME
Lauri Jõeleht (b. 1974). „Cantus Angelorum” / “The Song of the Angels“ for harp, Estonian kannel and harpsichord (2014)
Helena Tulve (b. 1972). „Every Spark Is Numbered II. Behind the Veil“ for harp, Estonian kannel and harpsichord (2015)
Liis Viira (b. 1983). “Stella Maris” for Estonian kannel (2012)
Kristel Kolkanen (b. 1998, Young Composer 2015 winner). “Magic Forest” for harp, Estonian kannel and harpsichord (2016, premiere)
René Eespere (b. 1953). “Tres sorores” / “Three Sisters” for harp, Estonian kannel and harpsichord (2016)
Live compositions
What kind of footprint is left behind by a human versus an angel? Could music be the footprint of an angel – purer than a human’s ecological footprint? Could music be the footprint of a human as well or is music as invisible footprints only the realm of the angels? Inevitably there is a little bit of angel in every person since we all experience music – some of us hear and listen to music; some of us follow the angel’s footprints by making music using their fingers, mouths, and feet; some of us even try to save the angel’s footprints on a piece of staff paper or computer hard drive. In the Una Corda programme, the angels dance on many strings and their footprints vanish into the air.
Ticket: freewill donation
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